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Ebony G. Patterson: Beauty, Grief, and the Power of Visibility |
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Ebony G. Patterson’s work glimmers with color, texture, and ornamentation, and beneath its dazzling surface lies a meditation on loss, care, and remembrance. Explore Patterson’s work below and discover how her art transforms grief into something luminous and unforgettable. |
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Take a closer look at “She is the Mourning” |
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“She is the Mourning” is derived from a public art project that the artist unveiled in 2021, comprising four large-scale works that adorned the facades and walls of buildings throughout Philadelphia’s Village of Arts and Humanity. The series shines a light on the under-acknowledged labor of Black women in working-class communities, especially in acts of care, protest, and mourning. |
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Each of the scenes includes headless, monumental figures embedded in dreamlike and embellished gardens, punctuated with a poetic phrase. For this limited edition, Patterson transforms the prints by puncturing and attaching beautiful added elements to |
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EBONY G PATTERSON Limited edition of 20 with 6AP + 1PP |
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We Belong Here: The Gutierrez Collection |
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We are honored that Ebony G. Patterson’s She Is the Mourning—originally acquired from ART FOR CHANGE by Onay Gutierrez —was featured in the exhibition We Belong Here: The Gutierrez Collection at The Cameron Art Museum. |
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Ebony G. Patterson's multilayered practice– in painting, sculpture, installation, performance, and video– uses beauty as a tool to address global social and political injustices. Her immersive gardens grow out of a complex entanglement of race, gender, class, and violence. Patterson seduces the viewer into acknowledging a darker truth lurking ominously beneath the surface. Upon closer inspection, the figures in these embellished paper works are disembodied, un- whole. While the bright, effusive visual cues on the surface of her work suggest vivifying celebration, these signifiers point to the opposite. Their ghostly forms hover amidst a tangle of flora and fauna, plants which themselves might harbor a secret poison. Patterson’s gardens are never far from notions of violence, of memorial, of blood and tears. |






