Back to School with ART FOR CHANGE!

Back to School with ART FOR CHANGE!

Back to School with ART FOR CHANGE!

 

Whether you're a college student, organizing your kids' study space, or looking to refresh your home office, explore our limited edition prints to bring new energy and inspiration to your surroundings.

This collection invites you to reconnect with the spirit of learning, creativity, and exploration. As the season changes and school routines resume, the artwork reflects on education beyond the classroom. Each piece speaks to formative experiences, the pursuit of knowledge, and the curiosity that drives personal growth. From nostalgic nods to reimagining what it means to learn, Back to School celebrates the endless journey of discovery through art.

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Giant Green TRex is an expressive print exemplary of Liz Markus’ practice and the all-consuming process of energetic color. The whimsical, verdant figure flows toward the edge of the print with a spiraling eye and scream reverberating up and out of the work. Movement and instability is echoed in the swift shadows of the dinosaur’s arms both at rest and outstretched, like the flowing green dripping from the bottom of the figure through the yellow, orange and red washes emanating from its form.

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Moon Chute
 by Emily Furr engages with themes of imperial structures, industrialism, and transformation. In pairing mechanical objects with celestial elements, Furr demonstrates the incongruence between material, capitalist progress and nature. Depicting a moon rolling down an industrial chute, like a factory item along a conveyor belt, Furr transmutes the cosmos through productive structures to illuminate the frivolity of hyperconsumption and excess in our material world. 

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Wendell Gladstone’s figurative works explore the psychic impact of human relationships, using allegory to address art history, politics, and personal experience. In Fingerless Glove, a woman exerts a surreal pull on her surroundings, bending objects to her will. She holds a banana-shaped finger spiraling into a halved citrus fruit, while a windowpane conforms to her face and a stained glass flower forms a monocle over her glowing eye.

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Amy Lincoln's Trees and Moon Rays (Blue, Cyan and Magenta) is a graphic rendition of the titular objects, with radiant light beaming towards the leaves and tree trunks that spread across a horizonless landscape. Gradient tones of blues, purples, and pinks denote the contrast between light and shadow, forming a dynamic image that feels simultaneously figurative and abstract.

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A richly saturated scene of a park or garden by night, Jules de Balincourt's Are You An Insider or Outsider juxtaposes the nearly fluorescent contours of tall trees against a cluster of skyscrapers that spill across a surrounding cityscape. Details within the plants that inhabit this technicolor world are portrayed by varying shades of pinks and reds, additionally emphasized by dark shadows that bear the same tones as the inky, deep violet sky.

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