Favoring malleable structures and expressive color palettes, Wheat’s tactile paintings merge process and narrative to ponder individual and collective human experience as seen through various moments in art history. Drawing on rich traditions from Egyptian relief sculptures to Modernist painting, Wheat’s textural art objects destabilize material boundaries and elevate quotidian life through scale and movement. Borrowing from the logic of medieval tapestries hung as symbols of authority, Wheat allows acrylic paint to ooze through fine wire mesh causing figures to emerge and dance upon lush, fiber-like surfaces that coalesce into heroic history paintings.
Born in Oklahoma City, the artist’s understanding of institutional art centered on Native American traditions of art production, focusing special attention on the connection between human and animal behavior respective to their environment. Rather than making quaint the lives of those who struggle, Wheat dignifies her subjects and decidedly refutes the gender specific representations found in various cultures through history by swapping women into the traditional roles of men. Her figurative scenes aggrandize the invisible work of women by focusing on both their experience and their craft.
Wheat’s practice deftly flattens hierarchies between the fine and domestic arts and crafts, embracing the intuition of felt experience as rival to conventional reason and logic. Inserting swaths of gold leaf and jeweled embellishments, Wheat meticulously makes the mundane regal and monumental.